Better Late Than Never...

Thanks to some helpful fool who left a comment on an old post, pointing readers to their bullshit website that contained malware, I've been struggling to access my own blog for more than a week.  It's all sorted now though, and unless you were curious enough to look at some spurious old comment that didn't make any sense you wouldn't have been affected (or maybe that should read infected!).

So apologies for the delay in posting this, but better late than never.

Big Daddy Kane - Uncut

The latest interviewee on The Combat Jack Show, is Juice Crew legend Big Daddy Kane.

King Asiatic Nobody's Equal. It's not every day we get to sit with a legend. Kane goes deep with his history, what he thinks about Mr. Cee, how he produced the majority of 'Long Live The Kane' with no credits, how Doug E Fresh taught him how to rock the crowd, how some cats from The Juice Crew wasn't fuxin with him, how he really wanted to battle KRS-One, what Madonna smells like, how he shopped a young Jay Z with no success, why he started wearing purple silks and such... This one is a marathon, but with Kane, there's no half steppin'.

An essential and intriguing listen for any Kane or Juice Crew fan.

What Time Is It?

Well according to Marco Polo and Organized Konfusion it's 3 O'Clock.  This dope new tune from Monch and Po features on the Port Authority 2: Directors Cut album from Marco Polo.



And since I originally wrote this post, a video has now dropped for this track too.  It's not that exciting and Mr Monch's coat is somewhat questionable, but some peeps prefer to have a visual with their audio.

Light Years

DJ Skizz hooks up Roc Marciano, A.G. and O.C for this rugged banger.  It's nice to see DITC emcees collaborating, but even nicer to see Roc Marci doing something different.  I'm not a fan of his uber laid back doze rap, but he kills it on this track.

Street Photographer Documents Early Hip Hop Culture

Charlie Ahearn (the director of the hip hop classic Wild Style) has made a new film called Jamel Shabazz: Street Photographer.  Shabazz was already well respected following his 2002 book Back in the Days which contained a catalogue of photos straight from the streets of NY city at the time that hip hop was evolving.  This film appears to take the book a stage further and adds more narrative to the history that Shabazz captures, and also contains contributions from graf legend Chino BYI who has a great personal connection the photos.  Prepare for a trip down memory lane, the fashions, the art, the attitude, the swag of early b-boys, this has the lot.

And lastly....

There seems to be a new documentary on UK hip hop surfacing every few months recently, and now we have one dedicated to The Twilight Firm.  They were two producers from London that made their mark in the late 80's and early 90's.  

I'm going to reserve judgement on this one.  The topic seems too narrow to warrant a whole documentary, but that hasn't stopped Kamanchi Sly, Rodney P and other notable UK hip hop veterans adding their commentary.

Rewriting History?

Marely Marl & MC Shan in better times

Several months back I wrote about D-Nice's website, and in particular I suggested you might want to review some of his short documentaries where old school artists reflect on their rhymes, records and events from that era.

One of my personal favourites was from Masta Ace who gave his account of how Marley Marl's classic The Symphony came about (see the link above if you haven't yet seen it).  Well, in recent days, MC Shan has seen this clip and has decided to put up a response to it as he thinks Marley has misled Masta Ace and the others who appear on The Symphony and he wants to set the record straight.

Initially I was curious to hear the other side of the story and clarify the facts around this piece of history, but to my surprise what has started out as an attempt to set the record straight, has turned into something much bigger and in some ways it's more interesting.

Now I've never really been into gossip or hearsay, and I don't care much for hip hop beefs (unless of course they bring out the best in an artist and provide us with some banging tunes (Cool J vs Canibus and Jay-Z vs Nas spring to mind)).  But this is something different.  This is more about artist integrity.

Watch the series of clips for yourself and see what you think, but to me it seems as though Marley has something to hide.  Shan is explicit in his accusations towards Marley, yet Marley never calls Shan a liar.  Instead he attacks his skin complexion, who he hangs out with etc.  But aside the issue that started all of this debate, there are other interesting bits of history being shared, such as Shan's involvement with recording Rakim, Kane providing his own beats and plenty more.

Shan and Marley aren't going to acheive very much from these discussions, they'll no doubt end up agreeing to disagree, but whilst it continues I'm loving the little side stories that are embedded within this debate.
Shan also promises to record further (unrelated) videos that provide more hip hop history, and these are potential gems for us to look forward to.